In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

The Lonely Mountains is a unique ceramic sculpture that continues my exploration of natural and human forms by merging elements of both. The work balances between collapse and elevation—where one curve gives way and another rises, supported by three legs. A cluster of forms creates a soft, mountain-like landscape, with cloud-like elements emerging within it. In shaping these forms, I draw from my own experience as a physical being—exaggerating, inventing, and extending forms through a playful, handmade imagination in dialogue with my environment and the present moment.

“What if?” is a unique ceramic sculpture that gently bends, curve after curve, searching for its direction. What if my destination lies elsewhere? What if I paused here, just for a moment? What if it is best to simply keep going? What if I grew branches, or floats, or bigger, stronger muscles, roots, dreams… And… what if… just like this, right here, is already enough? This is a unique piece, created in Helsinki at Keramiikkastudio Kaoliini.

Black metal frames with glass

White box frames with acrylic glass, 15cm x 20cm

Cutie pie shows a woman with her eyes closed, resting in a quiet moment of self-acceptance. It reflects the days when we feel beautiful—and reminds us that each of us is worthy of that feeling, simply by being unique. Painted with ink on raw canvas, the image remains soft and open. This piece suits intimate, personal spaces such as a bedroom, dressing area, or quiet corner. White box frames with acrylic glass, 42cm x 52cm

Features a sleek top-mounted wooden slat that allows the textile to remain free hanging, creating an airy silhouette. For a more structured look, the piece can also be stretched onto a frame.

Elia-becoming captures a moment of quiet transformation. The figure feels unfinished and emerging, as if identity is still settling into form. Painted with ink on raw canvas, the porous surface allows the image to breathe, leaving traces of fragility, memory, and becoming. This piece suits calm, intimate spaces such as a bedroom, reading corner, or contemplative living area. Stretched canvas. Monochrome ink painting.

Original art work. White frames with acrylic glass.

A charming party queen, monochrome ink painting. Black box frames with acrylic glass, 23cm x 28cm

Original art. White frame with acrylic glass.

Hauntingly Honest, being just honest. Black boxy frames with acrylic glass, 23cm x 28cm

Hazy Helena portrays a woman whose face is veiled in a cloud-like haze, her hair slightly undone. It reflects the days when we feel a little lost, dreamy, or out of focus, reminding us that confusion is part of being human. Painted with ink on raw canvas, the image remains open and unresolved. This piece suits relaxed spaces such as bedrooms, studios, or quiet living areas White box frames with acrylic glass, 50cm x 70cm

White box frames with acrylic glass, 15cm x 20cm

Original art. White frames, acrylic glass.

Original art. White frames with acrylic glass.

Black frames with acrylic glass

Features a sleek top-mounted wooden slat that allows the textile to remain free hanging, creating an airy silhouette. For a more structured look, the piece can also be stretched onto a frame.

Original art. White frames with acrylic glass.

Vibrant Neon orange colored portrait. White box frames with acrylic glass, 15cm x 20cm

Features a sleek top-mounted wooden slat that allows the textile to remain free hanging, creating an airy silhouette. For a more structured look, the piece can also be stretched onto a frame.

Original art. Black metal frames with glass

Hand painted over coat. Wearable art piece. Pls ask custom order with your own symbols and price.

Original artwork. Black box frames with acrylic glass, 15cm x 20cm

The Musk portrays a female figure surrounded by an intoxicating, unseen presence. The scent becomes almost visible, lingering around the head like a halo, blurring the boundary between body and atmosphere. Painted with ink on raw canvas, the work exists less as a portrait and more as an experience. This piece suits intimate interiors such as bedrooms, dressing areas, or softly lit living spaces. White box frames with acrylic glass, 50cm x 70cm

Where cozy comfort meets your inner weird. Hand-painted slippers. Suitable for indoor use. Insole lenght is 26cm. Suitable for sizes 39/40.

Violet, vulnerable yet powerful. White box frames with acrylic glass, 23cm x 28cm

White frames with acrylic glass