In this oil-painted series, the paintings are executed on aluminium composite panels — industrial surplus material that would otherwise end up as waste in recycling. The dimensions of my works are partly determined by the sizes of the “rescued” material pieces available to me. A distinctive visual feature of the panel is its glossy surface, which forms a contrast with the oil paint once it has dried to a matte finish. All works are ready to hang and stand slightly away from the wall, mounted on wooden profiles attached to the back.

All my art works can be ordered with the frames they are presented with. The frames are handmade from the birch of Archipelago of Nauvo. This means that the framing may be ordered from the artist. It takes about 2-4weeks from order to the client. This framing with picture glued on a dibond aluminium background will cost 1000€. All my works are series of 1/3. So there will be maximum of 3 works in the world signed and numbered by the artist. Also unique work is possible. By request.

Staying in one place only temporarily, never knowing how long this limited time will last. The hot, burning earth keeps calling me back. Aves Migratorias is my attempt to find serenity and acceptance when the soul aches and grieves for the place that has felt most like home.

Melt Together is a unique ceramic sculpture in which the material has surprised the artist in the best possible way. During the glaze firing, the glaze bubbled in a lava-like manner, fusing the separate parts of the sculpture together and sealing openings that had previously remained exposed. The crater-like surface invites close viewing and tells its own story—one of unpredictability and of the intertwining of fragility and strength, both in life and in the ceramic process.

Edition 5 + 2AP Signed and numbered. Editions 1-5 for sale.

This illuminated laser-cut sculpture explores the relationship between memory, place, and inner architecture. Formed from layered maps of the artist’s hometown, the suspended cube transforms physical geography into an emotional landscape - a meditation on how spaces continue to exist within the mind long after we have left them behind. Light radiates from within the structure, projecting fragmented pathways and shadows across the surrounding walls. These shifting projections become metaphors for memory itself: unstable, layered, and constantly reforming. Streets once walked, childhood routes, familiar corners, and forgotten spaces are reconstructed through light and absence, suggesting how environments become permanently embedded within

The model's warm smile is framed by swirling pink blossoms and reflective chrome arches. Her body is transformed into a masterwork of highly polished rose-gold plating and visible circuitry, set against soft pink-and-yellow Ankara-patterned fabric, with her pink braided hair styled in Bantu twists. This piece offers a vibrant image that holds on to its joyful past in 2020 while fully blossoming into a new future.

Quintessence tells the story of alchemy and distillation — fire below, spirit rising. In alchemy, the quintessence was the fifth element: the purest essence, drawn out through patient refinement until only the vital spirit remained.

Ink on paper

“Another Sun” used to be a different unfinished painting, only to become unfinished again in 2023, because I had no clue how to finish it. In 2022, the very first painting made me feel nothing, so, disgusted, I covered it up. In 2023, it was time to paint something new on top, and I had this vision of an overwhelmingly bright sun coming through a heavy storm. While painting, I realized that this scene wasn’t from Earth really - it looked foreign, mysterious, haunting. It felt like something that was boiling inside of me. I fell in love with the upper half of the painting, but no matter how hard I tried, I couldn’t figure out what should go to the bottom. I repainted the bottom multiple times, but all felt wrong, so I left the painting be for two years. One day, in 2025, while preparing for my solo show, I looked at it again and suddenly knew how to finish it. During these years, I have changed, matured, gone through a couple of crises, and drawn conclusions. Suddenly, I was ready to embrace the foreignness and weirdness, defy some physics laws, and let the painting live its own life. It was surprisingly easy to finish it. Just like that, one painting can reveal an iceberg hidden underneath. I haven’t nearly revealed enough about it, but hopefully, enough for you to look at a piece of art from a different perspective.

From the Rorschach Mirror series.